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It is never girls.
You never read, "Three girls
were killed today by a high speed train
when they jumped the fence . . ."
Why? Too practical?
They have in them already,
from race memory, maybe,
knowledge of what will kill their children
and their children's children
by killing them.
Sharks, snakes, bridges
to be jumped from at night
or anything that looks like this
they scorn, refuse.
But there is something in boys
not about the future, romantic,
in love with what wants them now.
They scrambled up the fence,
down the embankment
to the tracks. December,
the weeds are brown,
and waiting, one shoves red hands
into his jacket.
You know all the rest, discussion and dares,
quick draws on forbidden cigarettes, sneers.
But skip ahead.
Try to imagine just the moment when,
poised, moving forward, you are
drawn back into what will destroy you.
But both destroy -
forward slowly, backward fast -
and how do you know which one to choose,
when one wants you suddenly so much,
so much in that instant, and the other
seems every second willing to let go?
How do they choose between love and love?
And do they accept at the last
and relax into a sudden freedom from sinew
and muscle and bone, an explosion of self
into air, sound, speed.
And if there is pain,
does it open into a rose of light,
or, finally exhausted, reach the other side of itself,
like a train rushing into a station
where all the boys disembark, slowly,
and stand for a moment looking around
at the strange platform and their own
unimaginable selves.
© Anne Colwell
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